Audio & Film
We've been making independent films since the days of MiniDV tapes in pocket camcorders, but we've come a long way since then! Adam's speciality is Location Sound, but over the years he's worn many hats on sets of all sizes.
Our audio work includes location sound for film, corporate, and television shoots, post production sound design and audio sweetening, and all stages of production from narration to final mix of over 20 audiobooks, all available from Audible.com
Our field recording kit includes a Sound Devices mixer/recorder, Wisycom MTP60 Symphony transmitters with Sanken COS11d lav mics, Sanken CS3-e and Schoeps CMC6-U shotgun mics, as well as wireless timecode boxes and Comtek IFB systems. Our private recording studio features a Shure SM7B microphone for voiceover recording. Please contact us for a complete list of available equipment and rates.
Some of our feature film sound credits include: "Bloodrunners" (2017), "Alpha Rift" (2021), "Hayride to Hell" (2022), and "Sacrum Vindictae II" (2024).
We have also done sound for Reality programming, travel shows, corporate industrials, online learning classes, concerts, commercials, livestream events, and more.
Audiobooks include the 9 book "Purge of Babylon" series of Sam Sisavath, "Creativity Uncorked" by Samantha Ridder, "Data Analytics" by Matthew Adams, and "A Reflection of Ice" by Katherine McIntyre.
Stunts
Adam Danoff is a Stunt Coordinator and Performer. He has been performing stunts of many types since 2002. His qualifications include a black belt in Shotokan Karate, certifications in multiple weapon types with distinctions of excellence from the Society of American Fight Directors, training in Jeet Kun Do and BaGua Chang, High Falls up to 50ft, trampoline work, tumbling, firearms handling and SWAT tactics, and years of experience rock climbing and rappelling. He is also a member of the International Fight Directors Guild, teaching workshops and choreographing for schools, colleges, and theaters.
As a film Stunt Coordinator, Adam is detail oriented and safety-conscious. He specializes in working with non-stunt actors to make their movements and techniques look as good as possible on screen, while keeping everyone in the cast and crew safe.
Adam understands sword play and body mechanics in a way that not many others do, and he knows better than most what it takes to make a sword fight look real on screen.
